Showing posts with label writing quirks. Show all posts
Showing posts with label writing quirks. Show all posts

Friday, January 31, 2014

19th Century Writers, Productivity, and Us

photo courtesy sxc.hu
"Prowling about the rooms, sitting down, getting up, stirring the fire, looking out of the window, tearing my hair, sitting down to write, writing nothing, writing something and tearing it up, going out, coming in, a Monster to my family, a dread Phaenomenon to myself..." --Charles Dickens in a letter to a friend, February 19, 1856, while working on Little Dorrit

Does the above quote describe any of your writing sessions of late, even though the new year has barely begun? Take heart. You're in good company!

I came across these words of Dickens in an article from the archives of the New York Times: The More They Write, The More They Write, by Jay Parini, dated July 30, 1989. In it, Parini discussed the productivity of some of the great writers of the 19th century and shared insights into their peculiar habits that helped them sustain their high level of writing output.

He wrote about Sir Walter Scott (1771-1832) whose work included 27 novels and a 700 page journal: "The ferociously driven author always had at least two projects in the works at any given time, and...two desktops (which) helped to keep them separate." Two desks? That would be a luxury. Can we also have an extra day in the week?

Honore de Balzac (1799-1850), who wrote numerous books between 1822-1848 (eight books in 1842 alone), drank potent cups of coffee. "To spur himself on," Parini wrote, "Balzac used heavy doses of coffee that he prepared in the Turkish fashion, infusing the grounds in cold water, then heating them; he gradually used less and less water, creating a brew as thick as mud--a caffeine riot." Maybe some chocolate, too?

"Dickens (1812-1870), he added, "had no will to resist taking on new projects. Since his novels sold exceedingly well, publishers were only too willing to get him to sign on the dotted line. At several points in his career, he worked simultaneously on two or three novels while editing a journal and managing the affairs of a vast extended family. His energy level was such that he often took long late-night walks to cool his nerves." Yes, walks. I can identify with that, but not late at night!

Yet, Anthony Trollope (1815-1882), author of over 60 novels, wrote only three hours a day. Trollope was quoted as saying, "All those I think who have lived as literary men will agree with me that three hours a day will produce as much as a man ought to write." His plan was to write 250 words every quarter of an hour. Three hours sounds reasonable, but 250 words every 15 minutes? Hmmm....

So what can we take from this? A few thoughts:
1. Productivity is a personal thing.
2. Productivity...ahem...takes work.
3. But productivity doesn't always mean driving ourselves to exhaustion.
4. Productivity is a result of balance, being realistic, and discovering our own personal rhythms (and limits)--although the examples of others can be a source of inspiration, including 19th century authors for the 21st century.

Getting an insight into a-day-in-the-life of the famous Charles Dickens makes me want to re-read one of his all time classics, A Tale of Two Cities. The opening line has stayed with me since high school: "It was the best of times, it was the worst of times..."

Sort of describes the writing life in general, doesn't it?

Do any writerly idiosyncrasies help keep your words flowing? Unusual patterns or habits? Do you struggle with "Charles Dickens"-type days? Any plans to read a classic this year?
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Monday, April 12, 2010

Writing Quirks

Is there a vocabulary word to describe a person who likes to read the dictionary?

And are there very many of us around?*

Yep, I confess--I sat down to read the dictionary the other day. I put a pause on my middle-grade manuscript revision to attempt an acrostic for a contest offered by Writing.com (here). "With a nod to the newest film adaptation of Lewis Carrolll's Alice in Wonderland," the contest site says, submissions must relate to the theme of wonder. Word count is limited to 250 words, and the deadline is April 30.

Wonder--a fun word in itself for jump-starting the imagination. So I chose a phrase to explore (no hints on my subject, sorry!) and began playing. Ideas flowed and I was on a roll--until I hit the seventh "initial" letter in my draft, the letter N. I kept stumbling on words like no, not, nothing, never--all very negative and hardly appropriate for an acrostic about wonder.

So I reached for the dictionary and began to read through the n's for inspiration. Before long, I made an interesting discovery. Did you know that a preponderance of words that start with n are...ummm...well... negative? For example: there's nag, narrowminded, nasty, naughty, nauseate, ne'er-do-well, neglect, nerd, nevermind, nitwit, and nulllify. My, what a bunch of downers.

Yet, as I read, I also found some deliciously entertaining new words: nidnod (to nod repeatedly), noctambulation (sleepwalking), noddle (the head), and noetic (of or having to do with the mind or intellect). I enjoyed the exercise so much that I repeatedly interrupted my hubby's quiet reading to share my findings--until he threatened to take my heavy tome away.

Thus my venture into reading the dictionary. The outcome? I actually got ideas for my acrostic piece!

So I ask, is reading the dictionary a strange thing to do--especially for a writer? Or is it normal? What other quirky habits do writers lay claim to? I'll be interested in your ideas.

*Dictionary readers are not alone. In fact, one man dedicated a year of his life to reading the Oxford English Dictionary--20 volumes, 21,730 pages, 59 million words--and lived to write a book about it! Read his story here and here.