Saturday, November 17, 2018

Something Told the Wild Geese, by Rachel Field

on November walk 2018
Something Told the Wild Geese
by Rachel Field

Something told the wild geese
It was time to go.
Though the fields lay golden
Something whispered,--"Snow."

Leaves were green and stirring,
Berries, luster-glossed,
But beneath warm feathers
Something cautioned,--"Frost."

All the sagging orchards
Steamed with amber spice,
but each wild breast stiffened
at remembered ice.

Something told the wild geese
It was time to fly,--
Summer sun was on their wings,
Winter in their cry.

Sharing my latest-discovered, and today's-most favorite poem. What a beautiful, evocative example of writing that speaks of this, the autumn-season-heading-into winter. Poet Rachel Field (1894-1942) was also a novelist, children's book author, and playwright. She was the first woman to win the Newbery Award  (1930) for outstanding children's fiction. The award was for her book Hitty, Her First Hundred Years, a story told in the POV of a tiny wooden doll who gets separated from the little girl who owns her and the doll's subsequent travels. I haven't read the book yet but now plan to find a copy, especially after I learned that the doll that inspired Ms. Field's story currently resides at the Stockbridge Library Museum in Stockbridge, Massachusetts.

Want to hear a beautiful rendition of the poem, Something Told the Wild Geese? You can hear it sung to music by the Von Trapp Children--who themselves come from a storied past, their great-grandparents being none other than the Von Trapp couple that inspired the cherished movie classic, The Sound of Music. The song link can be found here on youtube.

What about you, any favorite fall poems that speak to you this time of year?

(and, if you're a Sound of Music fan like me, you might also like to experience the Von Trapp great-grandkids singing Edelweiss. You can find a beautiful sample of their rendition here.)
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Wednesday, October 31, 2018

On Life's Rusty Tools, A Quote by Anne Lamott

October walk 2018
"It's funny, I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools--friendships, prayer, conscience, honesty--and said 'do the best you can with these, they will have to do.' And mostly, against all odds, they do." --Anne Lamott, Traveling Mercies: Some Thoughts on Faith

As a kid, I had similar ideas, thinking that once we were all grown up we'd act, well, we'd act like adults. We've got a lot of learning to do, don't we--all the way through life. So as one month ends and another begins, especially one which focuses on thanksgiving, I propose we add gratitude to Ms. Lamott's toolbox--a very-grownup tool that never gets rusty or bent, or goes out of style.

Agree? In addition, what tool of choice would you add to the mix?
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Monday, October 15, 2018

Elizabeth Varadan's Carnival of the Animals, and An Interview



One of the best parts of blogging over the past few years has been the meeting of people who share in the passion of writing. Getting to know them—even if it’s only through cyberspace—and follow them in their journey to publication is an added bonus. When one of those now-friends announces the exciting news that their book has been published, we celebrate with them.

Today I am pleased to help celebrate the publication of my blogger-friend Elizabeth Varadan’s latest book, The Carnival of the Animals (Belanger Books, 2018). The Carnival of the Animals is a story collection for children based on Camille Saint-Saëns’ 19th century musical fantasy, The Carnival of the Animals. Although geared for readers grades 2-5, the book is ‘layered’ so that older readers can enjoy it as well. There are thirteen tales based on the thirteen animals in Saint-Saëns’ work, and they all take place in different countries.

I caught up with Elizabeth to ask her about her book and her journey to publication.

Welcome, Elizabeth! First may I say I read your first book, Imogene and the Case of the Missing Pearls, a MG mystery that included none other than Sherlock Holmes himself, and enjoyed it very much. You obviously write in varied venues. What inspired you to write The Carnival of the Animals? 
The idea of a collection of stories occurred to me one night over dinner when my husband and I were talking about music. We both like all kinds of music, and Saint-Saëns’ musical fantasy is one of his favorite pieces of music. I said, rather flippantly, “I should write a story about each animal. Afterwards, the idea started growing on me. I love to do research, so the challenge I gave myself was that each story had to happen before the date Saint-Saëns wrote the music.

Of the thirteen animals you wrote about, which is your favorite?
Oh, gosh. That’s really hard to say. I liked each one as I wrote them, and each is so different. I like them all.

I know that you and your husband spend a period of time each year in Spain. Have any of your travels inspired one or more of the animals in Carnival?
Actually, “The Burro from La Mancha” was inspired by our visit in 2005 when Spain was celebrating the IV Centennial Anniversary of the publication of Cervantes’ Don Quixote. I had seen the musical The Man from La Mancha years and years ago, and the idea popped into my head, “What about a burro from La Mancha? A burro who hears a poet relate the tale of Don Quixote and then sets off to have adventure of his own . . .? So that was great fun. I actually read Don Quixote for this story, and I must say, it is a truly funny novel. 

What is one highlight you experienced in writing this book? A challenge?
A repeating highlight was finishing each story. As I say, each one was so individual. It was like writing 13 separate books. Which was also the challenge. As much as I love research, I had no idea how much research I would end up doing. Each story called for its own special research. I suppose another highlight was how helpful people were when I contacted them for special information. It’s wonderful how supportive of writers people are.

What does a typical writing day look like for you?
Ha-ha-ha. I really don’t have a typical day. I have days when I read all day for information or inspiration. Other days when I write for a few hours. Some days when I write all day like a maniac. Other days when I just journal. And some days when I don’t write anything at all.

You’ve now published four books for children along with short stories and poetry. What piece of advice might you share with aspiring authors just starting out in their publication journey?
Follow your own dream, not someone else’s. Try everything. Find good writing groups that are both supportive but hard-nosed. And read! Nothing improves your own writing like reading terrific writing by masters. Most of all, persist. Keep writing your stuff and sending it out.

Congratulations again, Elizabeth, on the publication of The Carnival of the Animals, and thanks for sharing with us some insights into your writing journey. Wishing you all the best as The Carnival of the Animals makes its way into the hands of children in the days ahead!

Blurbs:
“Thanks to Elizabeth Varadan, you will roar with the lion, bound over clouds with the unicorn, dance with the tortoise, weep with the elephant, feel the friendship of a magical bird, know the enduring love of a swan…and more. Best of all, you will enjoy the genuine magic of this carnival of creativity!’ –T. A. Barron, author of The Merlin Saga

“In the Carnival of the Animals, Varadan takes us through a colorful world of animal stories that will entertain readers of any age. Her whimsical style and effortless storytelling allows her three-dimensional characters to leap off the pages, causing the reader to feel for and love the characters she’s created. These stories beg to be read aloud to children again and again. The subtle morals of her tales give hints of fables while introducing young readers to well-known characters like Don Quixote and Shakespeare’s Puck. Since Carnival’s characters are from all over the world, these stories will spark discussions with young children about cultures, languages, and even animal habitats. Truly a wonderful work of art.” –JaNay Brown-Wood, author of Imani’s Moon

“The stories in Elizabeth Varadan’s The Carnival of the Animals are a wonderful tribute to Camille Saint-Saëns’ musical suite. Children will be drawn to the clever, charming narratives and come away with a real appreciation for both the stories and the music that inspired them.” –Steve Richardson, author of Canlandia and Lavender Blue and the Faeries of Galtee Wood.

“A beautifully penned tale inspired by the musical suite The Carnival of the Animals, by Camille Saint-Saëns. The story and its settings will delight children of all ages. Varadan’s magical menagerie is marvelous!” –Victoria Lindstrom, author of The Tale of Willaby Creek

Read an Additional Interview with Elizabeth:

Visit Elizabeth at:

Links to Elizabeth's Books:
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Sunday, September 30, 2018

Spiderwebs, Katherine Paterson, and Words to Ponder

late September morning 2018
"A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist--their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order." --Katherine Paterson

The spiderweb that revealed itself in the morning light the other day sparkled and begged to be photographed--which I was happy to oblige. Later, curiosity prompted me to seek out words and ideas that might have been written comparing spiderwebs to the writer. I was not disappointed. Ms. Paterson expresses the thought magnificently in the above quote--that of taking fragile threads (our ideas) and weaving them into a beautiful pattern, and creating order from internal chaos. What a great way to describe the challenges a writer faces. Love it!

Ironically, I'm currently reading one of Katherine Paterson's books: Gates of Excellence, On Reading and Writing Books for Children, a classic first published in 1981. We know Ms. Paterson best as author of the Newbery Medal winners Bridge to Terabithia and Jacob Have I Loved, and Newbery Honor Book  The Great Gilly Hopkins. Overall she has written more than thirty books, sixteen of them for children. Along the way she has graciously shared insights from her life and experiences. For example...

On Writing Novels:

"A novel is not born of a single idea," she is quoted as saying. "The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun." (See, there's the spider web again!)

On Reading:

"Read for fun, read for information, read in order to understand yourself and other people with quite different ideas. Learn about the world beyond your door. Learn to be compassionate and grow in wisdom. Books can help us in all these ways."

"The gift of creative reading, like all natural gifts, must be nourished or it will atrophy. And you nourish it, in much the same way you nourish the gift of writing--you read, think, talk, look, listen, hate, fear, love, weep--and bring all of your life like a sieve to what you read. That which is not worthy of your gift will quickly pass through, but the gold remains."

On Life:

"What I have come to believe is that joy is the twin sister of gratitude. I am most joyful when I am most grateful."

"It seems to me that there are two great enemies of peace--fear and selfishness."

"You don't have to fight dragons to write books. You just have to live deeply the life you've been given."

And to think all of these thoughts and words-to-ponder grew out of one simple unassuming spiderweb that twinkled its way into the day and awakened us to a moment of beauty. It was a good day.

Any one quote by Ms. Paterson that resonates the most with you?
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Thursday, September 20, 2018

Ansel Adams and September's Inspiration

Half Dome, Merced River, Winter, by Ansel Adams, a print (Amazon
"I knew my destiny when I first experienced Yosemite." --Ansel Adams

We finally made it, hubby and I, to the Ansel Adams exhibit at Cincinnati's Taft Museum before the exhibit's closing date. We would have missed a great treat if we had let this one slip from our fingers. I've always admired the iconic black-and-white photos of nature, particularly of our national parks, that Mr. Adams is famous for, but to try and absorb the genius, beauty, and compelling images all assembled in one place as these were, was a tremendous opportunity.

Cincinnati Taft Museum
Ansel Adams, A Photographer's Evolution was on view at the Cincinnati Taft Museum most of the summer, ending September 16. Billed as a showcase of a career-spanning collection of the photographer's work, the display attempted to "trace the evolution of Adams' magnificent style," beginning with rare early scenes from the 1920s and progressing to later prints he made shortly before his death (source). "Spanning the photographer's entire career," words displayed for the visitor at the beginning of the tour stated, "this exhibition reveals Adams as a poet of light both in the field and in the darkroom." The exhibit featured 42 of these marvelous photographs. Mesmerizing and instructional at the same time. Image poet and photographer in the same package. I loved it.

Ansel Adams (1902-1984), photographer and environmentalist, was born in San Francisco. He experienced the aftershocks of San Francisco's great earthquake as a four-year old in 1906. He contracted the Spanish Flu during the 1918 flu pandemic and became seriously ill, taking several months to recover. He aspired at first to a musical career after years of studying the piano. But ultimately, after his father gave him his first camera, a Kodak Brownie box camera, after his first visit to Yosemite National Park in 1916, he turned to photography as his passion and purpose. "The splendor of Yosemite," he wrote of his first view of the valley, "burst upon us and it was glorious...One wonder after another descended upon us...There was light everywhere...A new era began for me" (source).

And so, as I often do, I took a look at this man, Ansel Adams, and what he might have left behind in words as well as art. Highlights of my discoveries:

--"Suddenly I saw what photography could be: a tremendously potent, pure art form, and austere and blazing poetry of the real."

--"Photography is not only what you see, but also what you feel."

--"When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence."

--"How high your awareness level is determines how much meaning you get from your world. Photography can teach you to improve your awareness level."

--"I can look at a fine art photograph and sometimes I can hear music."

--"Today we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas."

--"I hope that my work will encourage self expression in others and stimulate the search for beauty and creative excitement in the great world around us."

--"Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum."

And finally, a quote we writers can identify with:

--"One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket."

"In 1975," the exhibit noted, Adams "ceased making fine art prints for the open market. He selected 70 negatives he saw as his most important works--known collectively as the Museum Set--and began printing them for placement in museums." Six images in the Taft's gallery were among the 70 Adams selected, chosen from a field of over 2500 photographs attributed to his seven-decade career (source). What an agonizing process that must have been, to narrow such a wide range of images into only a few dozen for display. How does one choose one equally beautiful photograph over another?

September's inspiration: Ansel Adams, photography, poetry in photography, beauty in our world, dedication, passion. What artist--photography or other medium--inspires you? What has been September's inspiration for you so far?
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Friday, August 31, 2018

Flowering Lantana and the Writer in August

in an August garden 2018
Lantana
"If a hot, dry spot is a problem in your garden, lantana may be your solution. This hardworking plant with colorful flowers thrives with little moisture in full, unyielding sun. It's also easy to grow and pollinator-friendly!" --Better Homes and Gardens online

With a mix of hot sun and then some rain, the lantana my husband planted is thriving. And as August 2018 draws to a close, the above description of this flower speaks, it seems to me, of the writer and her seasons, too. Hardworking, yes. Colorful results, hopefully. A few blooming words despite dry spells (writer's block) and driving heat (seasons of burnout). Are we, like lantana, pushing through those things that might hold us back in order to bring forth fruit in our writing gardens? Our words may not be easy to grow like lantana, and we may struggle to nurture them through rocky days, but we can aim to be 'pollinator-friendly,' growing ourselves and offering something of value to others.

Celebrating summer's end by marveling at the remaining colors of the season's beauty. Have your words blossomed this summer or suffered from drought? Are you anticipating a productive season ahead? Can you identify with the characteristics of the lantana flower?
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Saturday, August 18, 2018

Revisiting the Basics: Throughline

photo courtesy google images
"The best fiction has a line of compulsion as strong as a hawser running through it. The reader is compelled because the characters are compelled, each equipped with a 'through-line,' an actor's term for what he 'wants' overall, what he 'wants' in a particular scene. These through-lines are the strands of the hawser, but, complicating the figure, they run at cross-purposes with each other and with circumstances, creating conflict and opposition." --Oakley Hall, The Art and Craft of Novel Writing

...hawser (n.):  a large, stout rope or thin steel cable, used for mooring or towing ships... 

The term "hawser" was a new one to me, not being familiar with boating or, on a bigger scale, towing ships. But now it's a word I've added to my vocabulary. Can't you just see how the braided strands of rope work together to make a stronger product, strong enough to pull a ship, keep it headed in the right direction, and help get it safely to its final destination?

Mr. Hall has certainly come across an apt metaphor for a story's throughline, a subject I've taken more of an interest in following the latest critique of my manuscript, one in which the throughline was mentioned as needing strengthening (thanks again, Cathy :-)

And so I went back to the basics again--to review, chew on, digest how to make improved revisions to my story's throughline and, ultimately, the story itself. I found the following sources helpful:

From Nancy Lamb in her book, The Art and Craft of Storytelling (p. 72): "The best way to travel the length of your story is to grab hold of the throughline--the driving force of the book that you set up in the opening pages--and refuse to let go."

Again from Ms. Lamb (p. 76): "From beginning to end, the throughline is the constant in your story. You can have any number of other things happening in the book. But the matter of what drives the hero and compels him to act is never in question because the throughline is there to maintain the reader's attention and to pull him through the story."

She also elaborates on these thoughts in the online Writer's Digest article What Is The Throughline of a Novel (And Why It's Important You Have One). Here she says, "Some writers think of the throughline as the embodiment of the main character's conscious desire. The character knows what he wants and knows that he wants it. This personal hunger, shared by the viewer, drives the story and shapes the narrative."

Author Nancy Kress, interviewed at Writer UnBoxed, was asked "What is a 'throughline' and how can you use it to make writing the middle of a manuscript easier?" Her answer: "Draw an upside down 'U.' Left-hand leg (call it A) is the state of the character and the situation at the start of the story. The right-hand leg (B) is the story's end, where character and situation have changed (if they haven't, you usually don't have much of a story.) This is the throughline. Your task is to create and relate all the incidents that occur to plausibly turn A into B." Other writers have described the throughline as an invisible thread that binds your story together.

So a throughline? A hawser or rope that pulls the reader through the story. A line of compulsion. The story's driving force. A character's personal hunger. An upside down U that shows the character's growth, change. An invisible thread that binds it all together.

How to strengthen that hawser, that's the question! Ms. Lamb gives insight on the subject in a section of her book subtitled, "Take a Ride on the Throughline," where she lists a series of questions to consider including:

  • What is the primary throughline of my story?
  • What are the secondary throughlines of my story?
  • What does my hero want, why can't she have it, what is the driving force that makes her do, endure, overcome?
  • How does each throughline pull the reader through the story?

And so another revision calls. You can bet I'm going to cast that hawser out there in hopes of pulling a stronger story through the waters to its final port and make it a more engaging ride for the reader at the same time. Let's hope!

How would you describe "throughline"? Any tips on how to capitalize on it so your WIP sails forward with purpose, and not drift into troubled waters?
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Tuesday, July 31, 2018

On Generosity, Critiques, and Valued Feedback


July 2018
"You may wish you knew then what you know now, but remember sometimes...the things you know now were learned from what you didn't know then." --Terri Amshey

Can we speak of generosity? I have a couple of people to thank. Thanks to an agent who gave of her time and resources to read my manuscript and give me much needed advice. Thanks to a friend whom I've come to know and appreciate through blogging who generously offered to read my work and then took precious time to offer a detailed critique that far exceeds anything I've received in the years in which this book has taken shape. 

Both of these responses have come in just the last few weeks. Both were like a bouquet of flowers: a collection of sweet words of encouragement entwined with words rooted in growth and change. Seeds have been planted to make the whole experience of writing a book so much better. And I'm grateful.

Yes, I could say, "if only." If only I knew then what I know now. But then, as Ms. Amshey (above) says, those things I know now came from what I didn't know then. In my case they arrived by way of generous and open hands from those who offered a fresh perspective. I think too many times we seek writing advice, read books on writing, dip into the myriad blogs on the subject of writing, only to come away with a sense that yes, something isn't working but what is that something? When someone then comes along to cut through the fog, we realize what a gift we've been given.

So to Irene and Cathy (you know who you are!), I say thanks. I'm compiling a list of terms of issues that you called out, things like conflict/tension, throughlines, depth, 'episodic.' Then there's an ugly weed that I didn't understand at first but now see more clearly: 'insufficiently digested research'! It just goes to show the old adage, you can't see the forest for the trees :-)

To help along the way, I offer links to a few more articles I will visit in the next round:

10 Tips for (Re)Writing a Novel, by Jolina Petersheim
What I Wish I'd Known, by Cecil Murphey

What has been your experience with critiques--encouraging, constructive, or otherwise? Anything you're particularly grateful for at the moment?
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Saturday, June 30, 2018

Shelby Foote, Dip Pens, and Making Space to Slow Down

on June 2018 walk
"When asked why he wrote with a pen that required frequent pauses for dipping into a fresh supply of ink, the late Shelby Foote, noted novelist and Civil War writer, answered, 'It helps me slow down.'" --quoted in Working it Out, Growing Spiritually with the Poetry of George Herbert by Joseph L. Womack

The bee on the flower showed up to view only after I had downloaded the picture from my phone to the computer. If I had not slowed down first to take a walk, second to take the time to snap a photo, and third to take that closer look, I would have missed the unexpected detail.

Maybe that's what Shelby Foote (1916-2005) experienced when he wrote with an old fashioned dip pen. I'm sure, based on his list of published works, the exercise must have helped him capture extra-special details. Let his record stand: The Civil War: A Narrative in three volumes, along with six published novels, are among his published credits. I'm not thinking of going all the way back to dipping a pen in an inkwell, but I do like to start writing sessions with a prompt or two--often written by hand--to slow down and give the creative side space to kick in. In fact just the other day my oldest granddaughter (age 10) and I did a word association exercise to generate ideas for setting and character names needed for a writing project the two of us are working on together :-)

Additional quotes by Mr. Foote include:

"If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing."

"And I'm a slow writer: five, six hundred words is a good day. That's the reason it took e 20 years to write those million and a half words of the Civil War."

And how about this one:

"A university is just a group of buildings gathered around a library."

Yep--and maybe just about any community as well. At least they should be. A good place to slow down anyway.

How's your summer going? Finding time to slow down? Maybe carving out enough time to get some writing done? What is your go-to-technique to slow down and capture that elusive thought?
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Saturday, June 16, 2018

Hands, Hope, and Historic Lighthouses

Lake Erie June 2018
I hear lake water
lapping with low
sound by the shore...
I hear it in the deep
heart's core.
--William Butler Yeats

We went to Lake Erie last week to spend a few days on the shore, to play, to read, to explore. Stories abound with each trip a person takes, I guess, but my story features a light house, 77 steps to the top, a challenge, and--after the fact--a good laugh (seasoned with relief).

Marblehead Lighthouse
While the rest of the family went to nearby Cedar Point Amusement Park, my daughter and I, along with her two youngest kids, explored close-by villages and the historic peninsula housing the oldest lighthouse on Lake Erie: Marblehead Lighthouse in Marblehead OH.

Now if we had given it more thought in advance, would we have made the subsequent climb? In fact, after the fact, our famous words upon reaching the pinnacle were, "What WERE we thinking??!" But the attendant selling the tickets had said, "There's only 77 steps." 77? That's not too many is it?

And so, since the day was a beautiful one, and the view would be so dramatic from the top, we bought our tickets and entered this quaint, historic lighthouse. Did I mention we had a five-year old and a two-year old with us?

Lighthouse staircase
 The doorway yawned open. The narrow cast iron steps rotating up the spiral staircase beckoned. We each took the hand of a little one, and thus we started the climb. The five-year old was so good to help; we had her counting the steps. She's a pretty good counter after all. 'What step are we on now, Ceci?' 'Twenty-seven.' Later, 'Fifty-six.' and so on. It was the littlest one, though, that had the greatest sense of adventure. Little Miss Independent resisted holding her mother's hand. She wanted to do this all by herself. Can you say clash of wills??

All I could think of was, don't look down. Yet, climb we did. It was not Mt. Everest (although grandson called the loft in our condo overlooking the living room Mt. Everest!), but a mountain to conquer none-the-less.

Below staircase looking up
Ours was a small challenge, of course, next to those who made history in this lighthouse. Marblehead, built in 1821, served as a beacon, a guiding light, a source of aid and protection for over a century, from post-War of 1812 through the Civil War, and World War I. Benajah Wolcott, Marblehead's first keeper, was a Revolutionary War veteran. It is said that each evening during the shipping season, Benajah would climb the lighthouse (by way of wooden steps which preceded the cast-iron spiral staircase we climbed) to light its thirteen lamps (source) and then faithfully tend the light until the following morning. He kept records of ships that passed, noted weather conditions, and organized rescue efforts. When he passed away, his wife Rachel took over his duties--the first female lighthouse keeper on the Great Lakes. What a remarkable woman she must have been. The guide at the lighthouse told our group that in the early years lighthouse keepers would carry two four-gallon buckets of whale oil up the steps to keep the lights burning. Now that's a climb!

View of Cedar Point from lighthouse
The lighthouse keeper with the longest record was Charles Hunter (1903-1933). His tenure included the years of the Great War, with log entries reflecting the times: "War started in Austria, Belgium, England, France and Germany (source); and later: "Keeper and Assistant purchased each $100 Liberty Loan Bond." Local tragedies were also recorded: "Assistant found two boys frozen at Put-in-Bay." One log entry tied a local event and tragedy together: "Assistant planted a walnut tree, A Memorial to cousin killed in the war!" A grove of walnut trees stands today on the site, all testimony to that first tree planted.

The two brave lighthouse climbers
"I can think of no other edifice constructed by man as altruistic as a light house," George Bernard Shaw is quoted as saying. "They were built only to serve."  I didn't think of all of this while concentrating one step at a time, holding the hand of a five-year old up 77 steps and back down. But as I reflect on the experience, I think of all the feet that have climbed this monument, all the people who served others in connection with it and all the messages and images this lighthouse and others project: hope, harbor in the storm, helping hands, heart.

We survived our climb and can laugh about the adventure in retrospect. But we can also link hands with those who worked in obscurity, with little or no recognition, with a simple purpose: to reach out a hand to others. One generation to another. As one unknown source put it: "Don't forget that maybe you are the lighthouse in someone's storm."

That's just a glimpse of our summer so far. How is your summer going? Any words written, steps climbed, hands held, hope inspired? Have you visited any lighthouses? Let's share our stories.
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Tuesday, May 29, 2018

Always Learning and Another (Writing) Book

May wildflowers 2018
"I am still learning." --Michelangelo

Yes, I'm still learning, too (although far, far away from the category of a Michelangelo!)--and hope that I never lose the desire to do so. So it is, in the spirit of learning, that I've added yet another book on writing to my shelf: The Story Cure, A Book Doctor's Pain-Free Guide to Finishing Your Novel or Memoir by Dinty W. Moore (Ten Speed Press 2017). I've only just begun digging into it, but already I like Mr. Moore's premise: "A Book Doctor is different from a copyeditor or a proofreader. The task at hand is not to clean up sentences, adjust punctuation, or fix typographical errors. A Book Doctor looks at the patient as a whole--the plot, the main characters, the voice, the structure--or, to continue the physician metaphor, the arms, the legs, the belly, and the heart. The Doctor's job is to diagnose exactly why the patient isn't thriving" (p.2).

And if I were honest, it's the heart of the book I'm now drafting that's suffering. May the doctor help diagnose my problem. In fact, in Chapter One, The Story Cure, one section is subtitled "Discovering (or Rediscovering) the Heart of Your Story." I'll have that part of the book dog-eared, I think.

Maybe your problem is where your story begins. That's addressed in Chapter 2: Your First Breath. Maybe it's voice and point of view. See Chapter 5, A Visit with the Throat and Eye Doctors. Or maybe plot and structure? How about Chapter 6, The Strong Skeleton?

Have I whetted your appetite yet? I think most of the material will be familiar to those who have been writing for a while, but why not review the subject matter from such a fun angle?

And speaking of books on the shelf: today's the day to announce the winners of my give-away for the inspirational book, The Short and Sweet of It, When the Right Word is a Short Word, compiled by Susan Cheeves King--an anthology of inspirational pieces written in one-syllable words. Peggy and Cathy, be on the lookout for your copies! You both commented in the give-away post (here) and I couldn't bring myself to pull just one name out of a list of two, so you are both winners! I'll be in touch by email to verify your addresses.

Yes, may we live motivated to always be open to learning and, for us writers, to be open to improving our craft. The journey of life is far more interesting that way.
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Tuesday, May 15, 2018

On the Value of Short Words, and a Give-Away

courtesy google images
"There is a story that an American general once asked Churchill to look over the draft of an address he had written. It was returned with the comment: 'Too many passives and too many zeds.' The general asked him what he meant, and was told: 'Too many Latinate polysyllabics like systematize, prioritize and finalize. And then the passives. What if I had said, instead of 'We shall fight on the beaches,' 'Hostilities will be engaged with our adversary on the coastal perimeter'?'"   --Winston Churchill (source)

Short words vs. long words (monosyllabic vs. polysyllabic): they both have their place, of course, but often--as Winston Churchill, Britain's great leader and prime minister during WWII, so artfully displayed--the scale of good communication tips more toward the punchiness and action of short words as opposed to the more flowery, lofty nature of long ones. Do you agree?

George Orwell weighed in on the subject, too: "Never use a long word where a short one will do. Never use the passive where you can use the active."

As mentioned in an earlier post (here), I answered a call to write for an anthology in which the main criteria was that we were to write in only one syllable words (with a few exceptions like prepositions, proper names, and words for family). Writing for this volume was not only rewarding in that my piece was accepted for the collection, but because the challenge itself provided opportunity to stretch the writing muscles in a different way. 

Thus, I'm happy to share in the good news that the book is out! The Short and Sweet of It, When the Right Word is a Short Word, compiled and edited by Susan Cheeves King (Grace Publishing, Broken Arrow OK 2018). As an anthology of inspirational pieces, the book is designed to encourage and uplift the reader. From the back cover: "How do we say more with less? Can short, simple words make what we write so clear that the reader gets it? Or will it remind them of reading a child's board book? The truth is, short words bring power because they are easy to read, easy to grasp, and easy to recall...In this book, the third in the Short and Sweet series, you'll find a collection of fiction, non-fiction, and poetry on a variety of topics. They have two things in common: Each is about something that matters deeply to the writer, and with few exceptions, each is written using only one-syllable words or words of fewer than six letters. If you've always thought writers have to use long words to keep readers engaged, discover why it's often a great idea to keep it Short and Sweet."

Short and Sweet! Maybe you'd like to take a peek between the covers and see what a few writers have done with a few short words. And so a give-away! I will send a copy out to a commenter-chosen-by-random. All you have to do is comment here by May 28, at which time I will do a random drawing and send a copy out to that person. Just leave a contact email so that I can be in touch to get your address :-)

Who knows, maybe then, too, you will be inspired to see just how far a few short words can go!

And here, a bonus of extra words of wisdom from Winston Churchill. See if any of these quotes stir you on to more words of your own, too--or maybe simply be an encouragement for the moment:  

  • "Every day you may make progress. Every step may be fruitful. Yet there will stretch out before you an ever-lengthening, ever-ascending, ever-improving path. You know you will never get to the end of the journey. But this, so far from discouraging, only adds to the joy and glory of the climb."
  • "Success is not final, failure is not fatal. It is the courage to continue that counts."
  • "Writing a book is an adventure. To begin with it is a toy then an amusement. Then it becomes a mistress, and then it becomes a master, and then it becomes a tyrant and, in the last stage, just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public."
  • "All the greatest things are simple, and many can be expressed in a single word: freedom; justice; honour; duty; mercy; hope."
  • "It is a mistake to try to look too far ahead. The chain of destiny can only be grasped one link at a time."
  • "Out of intense complexities, intense simplicities emerge."
  • "Courage is what it takes to stand up and speak, it's also what it takes to sit down and listen."
  • "Continuous effort--not strength or intelligence--is the key to unlocking our potential."

Enjoy! 
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